They are dressed up in Halloween costumes. The mom looks down the hallway and sees two children, that she thinks are hers at first, but then realizes her kids are asleep right by her. They also take pictures and see odd things in them. The preview for House of Darkness shows the family hearing things when they think the kids are in bed, but isn’t the kids at all. Unbeknownst to them, nearly every family that has lived in the house has suffered some form of tragedy, dating back nearly 100 years… Will Kelly and her family be the next victims of the dark forces in the house?” “Inspired by true events, the supernatural thriller House of Darkness recounts the mysterious case of a San Francisco family who claimed that a dark force was responsible for the tragic events that unfolded… Trying to save their struggling marriage Kelly, her husband Brian and their daughter Sarah, move to a rural farmhouse in search of some serenity. Here is what Lifetime had to say about House of Darkness. The idea that a family went through what happens on House of Darkness is pretty crazy. The thing is this movie is actually based on something that a family in San Francisco says happened to them. The movie House of Darkness is a supernatural movie, which of course would make viewers think it isn’t true, but that isn’t the case with this one. LMN Original Movie #HouseofDarkness Premieres April 17,Stars Sara Fletcher and Gunner Wright /i6DgsH9YPA Everyone is curious about the story, and how this one could even be real. House of Darkness, which airs this week, is actually based on a true story, according to Bustle. These new Lifetime movies always have viewers wondering if they are based on a true story or not. The nuclear aspect of the story seems more a gimmick than something that the writers are really concerned about as a political issue.Tonight is the premiere for the new movie, House of Darkness, on Lifetime, and viewers can’t wait to see this one. Things are complicated but only in a messy way and not in an intriguing and compelling manner. It doesn’t seem to pick up steam till very late in the game and its attempt to create a complex plot fails. Monahan won acclaim for his work on “The Departed,” which was only impressive if you hadn’t seen the original Hong Kong Film, while Bovell did fine work on “Lantana.” But together they have fashioned a revenge thriller that’s strangely lacking in energy. William Monahan and Andrew Bovell, the writers on the Hollywood remake, probably think they have devised a clever thriller. In the British mini-series, Craven’s quest for revenge is also a quest to find out who his daughter was and there was a much more upfront message about the dangers of nuclear self-destruction. The film is based on a BBC series that layered the tale with some more intriguing elements. So the revenge isn’t sharply focused because the facts surrounding the murder are all kind of muddled. There’s the government, a corporation, a masked killer that we can’t really enjoy chasing after, and then a couple of guys (namely a corporate dweeb played by Danny Huston). Part of the problem with this revenge story is that there isn’t really one person that Mel has to go after. Now Craven needs to find out not only that killed his daughter but why. The cops think Craven was the target but soon Craven discovers that the target might have actually been his daughter who was working on some top-secret government program. Emily is killed (that’s not really a spoiler). As Craven tries to take her to the hospital, masked gunmen stop them at the door, yell out the name “Craven,” and shoot. She arrives feeling a bit sick and as the evening progresses she becomes markedly worse. “Edge of Darkness” begins with Thomas Craven (Mel Gibson), a Boston homicide detective, picking up his daughter Emily (Bojana Novakovic) from the airport. Gibson has even delivered his own kick-ass revenge tale with “Mad Max.” It can be something a little slower and more methodical like “The Count of Monte Cristo” and “The Outlaw Josey Wales.” Or it can be something much more complex and troubling like Park Chan Wook’s Revenge Trilogy (“Sympathy for Mr. It can be a roaring rampage of revenge like the “Kill Bill” films. Generally a revenge film hooks you quickly and keeps you riveted. Revenge tales are pretty damn simple and straightforward: give us a protagonist who is wronged and than let us take pleasure as he seeks revenge. But I feel it’s well within my jurisdiction to take him to task for delivering yet another bad formula film with “Edge of Darkness” (opened January 29 throughout San Diego).īorrowing in equal parts from Mel’s own “Ransom” and “Payback” as well as the recent and unexpectedly popular “Taken,” “Edge of Darkness” serves up a grim and rather lack luster revenge tale. As I film critic it’s not really my place to criticize Mel Gibson for all his off screen behavior and opinions.
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